ZESX01 Klonos (ca.6′)(24 pp.) SX KLONOS—BINNENKANT kopie (gesleept). © SWERTS MUSIC BVBA [Back To Top]. Sheet music for Piet Swerts: Klonos: buy online. Arrangement: Alto Saxophone. Published by Zodiac Editions. Composer: Swerts. : Klonos for Alto Saxophone and Piano by Piet Swerts ( ): Piet Swerts: Books.

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I have somewhere in my file a handout that was prepared by Otis Murphy that included background on the piece, analysis, and errata.

Piet Jozef Swerts Tongeren14 november is een Vlaams componist. I’ve been working up the third movement of his sonata and have listened to as many recordings of it as I can get my hands on, one of which has the movement performed considerably slower than the marked Na zijn humaniora te Tongeren, volgde hij van hogere muziekstudies aan het Lemmensinstituut te Leuven. Thread Tools Show Printable Version. Klonos by Piet Swerts Ok so, I know there’s a published version of this By Ascolta and they are incredibly hard to get a hold of.

He sent me a lot of music and information when I was performing his first Concerto. I lean and loafe at my ease, observing a spear of summer grass.

Klonos, for saxophone and piano

I also kllnos that this would be a good thread to have in case anyone else was playing this piece and was didn’t know of these errors. Hij studeerde er onder meer piano bij Robert Groslot en Alan Weiss.

Originally Posted by J. So I don’t know if i’ve caught everything or not. I figured others who may be able to study this piece with someone very familiar with the piece such as Otis Murphy might have better answers.


Piet Swerts – Klonos by boglarkanagy | b n | Free Listening on SoundCloud

Well I don’t like directly bugging composers too much and i’ve already been back and forth with him on several things.

I’m sorry if this thread seems silly. Piet Swerts kreeg bekendheid als componist, sinds hij in het verplichte werk mocht schrijven voor de Koningin Elisabethwedstrijdmet name “Rotations” voor piano en orkest. In componeerde hij opnieuw het verplichte werk voor deze wedstrijd, swets een llonos. I wanted to be able to discuss some of the wrong crap in this piece. Ok so, I know there’s a published version of this By Ascolta and they are incredibly hard to get a hold of.

So at the end, this will hopefully help others instead of a bunch of people contacting him directly kponos that might get annoying.

I’ve always wondered whether some of those were true errors, or errors from an overly ambitious editor What a relief that he agrees! Klonos by Piet Swerts I’ve been supposed to scan and send that to a few people and I apologize. Zie de gebruiksvoorwaarden voor meer informatie.

Paul Creston once commented that the tempos were entirely wrong in the Sonata, and they were klinos because his publishing editor changed them I have found an unusually high tolerance by composers to disseminate their own music with errors or otherwise incomprehensible scribbling they call notation.


I just thought I would address them in case someone else might’ve gotten the piece and did not know this. Originally Posted by Dannel. The time now is All times are GMT. After corresponding with one particular composer, I was sent music that had been hand[written], ie [scribbled], with notes so small you would wonder how it was ever done in the first place.


Klonos by Piet Swerts also Idit Shner has a downloadable recording of either a selection or the whole thing I dont know the piece. Also, I would love to see a copy of the Otis Murphy Lecture. I just haven’t had a real scanner yet heheh.

I have both his PDF and the published version by Ascolta. Originally Posted by wfhoehn.

Bookmarks Bookmarks Digg del. So my question, which version do you have if you have this. Yes, ask the man himself!! So if anyone else is interested I can upload it to sderts available. Results 1 to 20 of It’s my fault, I wrote for the first movement, and for the third.

More by Piet Swerts

What were the intended tempos? Sorry if I hijacked this thread, but I greatly appreciate the information regarding Creston’s comments. It sounds so much better than the faster recordings that I was planning with some trepidation to ignore the composer’s markings. Plus so I could figure out if there were any more errors since every correspondence i’ve had with Piet Swerts has just been “I found this, is this wrong?