Nocturnal after John Dowland, Op. 70 by Benjamin Britten. Nocturnal was composed in by English composer Benjamin Britten and was. Benjamin Britten. Nocturnal after John Dowland. In Britten received a $3, Aspen (Colorado) award given by the Institute of Humanistic Studies to . Benjamin Britten. Nocturnal after John Dowland, for guitar, Op. Composition Information ↓; Description ↓; Parts/Movements ↓; Appears On ↓. Share on.

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Genre Chamber Music Classical. One of my favourite pieces of music by any composer at any period in any style. It is also, not surprisingly, the most multifaceted, but again the sense of restiveness dominates. English Music for Solo Guitar.

Nocturnal after John Dowland – Wikipedia

The basic thing about playing the guitar is the pleasure you get from it. When I watch Bream’s video playing of this piece, I decided to quit playing this piece. To find out more, including how to control cookies, see here: Jazz Latin New Age. December 16, at Please enable JavaScript in your browser to use the site fully.

You are commenting using your Facebook account. It’s a visual thing. brittne

Leave a Reply Cancel reply Enter your comment here Here’s the exact answer to your question. Email required Address britfen made public. Thoughts Given its history, it will come as no surprise to learn that the Nocturnal is best experienced last thing at night, when all is quiet.


Rainy Day Relaxation Road Trip. Sorry, your blog cannot share posts by email.

Nocturnal after John Dowland, for guitar, Op. 70

The Lion And The Lute: Stephen Marchionda is good, too, part of an interesting disc that includes Songs from the Chinese with Philip Langridge. There brltten very little bluster here, more music of compressed thought, with not a note wasted.

As with LachrymaeBritten structured nlcturnal work so that the variations came first, with the theme itself arriving right at the end as sleep falls. That said Craig Ogden is extremely good, and the disc of Dowland songs that this account bisects is a really good idea.

Here the writing is exotic, the unison slides of the Dreaming variation in particular looking forward to later interpretations of Bali, but elsewhere the thoughts are intensely personal, vocal in all but name. I think Bream’s second EMI recording sustains a remarkable sense of anticipation and purpose during the passacaglia, moreso than most interpretations I’ve heard.

Benjamin Britten’s &quot -Nocturnal&quot – – Classical Guitar

The theme, John Dowland’s Come, heavy sleep, emerges in complete form only at the close of the eight variations, with each variation having some distorted feature of the theme or its accompaniment.

AllMusic relies heavily on JavaScript. We should aim at pleasing people today as seriously as we can, and letting the future look after itself…I do not write for posterity – in any case, the outlook for that is somewhat uncertain. Fill in your details below or click an icon to log in: Britten had previously used music by Dowland, whom he greatly admired, in Lachrymae: But the Bfitten misericordium is far too gentle a work to assert, while Nocturnal is very precisely constructed, not in the least vague about its essential processes.


Sexy Trippy All Moods. Tonights practice of the pizzicato part in the passacaglia left me with a funny thumb. Julian Bream Edition, Volume 1: It’s difficult to put these feelings in directions.

Reflections on Come, heavy sleep for guitar, op.

Quasi una marcia https: Here the spirit of Dowland is most evident in the simpler writing and songful character of the music. Julian Bream is the obvious choice here, either on Sony or EMI, for he has all the tools at his disposal for a strongly coloured account of the Nocturnalas well as having the advantage of knowing what Britten wanted to hear, and having it written for bditten.

I think I’ll have a look for it.